He absolutely fucking understands needing time alone, so he just nods.
He can't say out loud what Becca was, can't make himself say the words, but he can fumble out the little notebook she left him-- about four inches tall, just barely small enough to fit into a pocket, with a spiral binding and a leather cover with a ribbon to keep it closed-- and turn it to the first letter, one of the two places he has dog-eared. It explains that "this is Becca, your sister" and her last understanding of him being dead and her being so sorry for everything that happened. And then that she's going to leave him lots of notes while she's here, which is presumably what fills up the rest of the little book.
Ellie can read however much she wants to, of course, but that letter is the bit B's using to answer her question.
Confused at first, Ellie only needs to skim that first page to realize what this is. Moving through a wasted world, she's read dozens of heartbreaking letters, but never really any concerning people she knows.
"Oh. Oh, man... do you--really want me to read this, B?"
[Ellie gives a knock anyway before stepping in, a thermos in hand. Steve's gotten her addicted to hot chocolate--it's that powdered shit--and she thinks it's better tasting than coffee.]
"If you want to. I can't. Threw it across the room. Twice." And yet he keeps it on his person at all times, so it's clearly important to him. He's even tried to carefully smooth the crumpled pages back out, so they lay flat when it's in his pocket. "But that one page answers your question."
"No. Just if you wanted to read it, to answer your question. Might throw you across the room if you tried to tell me what's in it." He pauses, then adds, "Don't want to do that."
They're at the art room now, at least, so he can duck inside and head for the piano.
"I will. Later." Probably much later. He really doesn't want to risk damaging it. He takes it back and tucks it back away in its pocket, then pulls the piano bench out a little so he can sit. "Joel wasn't too bad. A little mean until he decided you liked me. But so was I until I realized who he was." So it was fair to be a little mean, back.
Ellie brings over a chair, sitting and setting the guitar down beside her. She'd like to pretend Joel was never here, never touched anything in this place or spoke to anyone, but there's no avoiding it.
"He was just like that. He was a huge prick to me when we first met. I wish I'd have gotten letters from him like you got."
She got a note, a brief note, but she would give anything for books and books worth of words from Joel. But. She never made that clear to him when he was alive.
He watches her feet and the feet of the chair a moment. "I wish you could have, too. You'd probably be able to appreciate them." He wonders if maybe he should have said something, after all. Told Joel just what her deal was, so he'd know how much he mattered to her. Hrm.
But she's clearly not happy. And she'd needed time alone, so she wasn't happy then, either. "We don't have to talk about it. Sorry."
"A lot," he allows, ducking his head. "So. Does that mean it's okay to do the same? To you?" He doesn't know how this whole friend thing works, or if they're even that, or what's allowed. But he's getting a little better at asking things, so here he is, asking. It's practice.
"Yeah," she says quietly, but easily. "It's only fair. And I know you won't go running around and telling people my business, just like I won't go around telling people yours."
[Almost, you little brat. Tess sets her stuff aside and takes the thermos, cranking off the cap.]
I'll let him tell you all the weird personal crap, but he's in this horrible on-again-off-again love affair with a vampire, who is, by the way, drugging him on the reg.
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